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Damien Hirst

218quotes

Biography of Damien Hirst

Full Name and Common Aliases

Full Name: Damien Steven Hirst
Common Aliases: Damien Hirst

Birth and Death Dates

Birth Date: June 7, 1965
Death Date: N/A

Nationality and Profession(s)

Nationality: British
Profession(s): Artist, Entrepreneur

Early Life and Background

Damien Hirst was born on June 7, 1965, in Bristol, England, and raised in Leeds. His early life was marked by a fascination with the macabre, a theme that would later permeate his artistic endeavors. Hirst's mother, Mary Brennan, was a devout Catholic, and his father, who left the family when Hirst was 12, was a car mechanic. Despite a turbulent childhood, Hirst found solace in art, which became a pivotal outlet for his creativity and curiosity.

Hirst's academic journey in art began at the Jacob Kramer College in Leeds, where he studied art and design. His passion for art led him to Goldsmiths, University of London, where he enrolled in the Fine Art program. It was at Goldsmiths that Hirst's unique approach to art began to take shape, influenced by the conceptual art movement and his exposure to the works of artists like Francis Bacon.

Major Accomplishments

Damien Hirst rose to prominence in the late 1980s and early 1990s as a leading figure in the Young British Artists (YBAs) movement. His breakthrough came with the 1988 exhibition "Freeze," which he organized while still a student at Goldsmiths. This exhibition showcased the works of his contemporaries and set the stage for his future success.

Hirst's major accomplishments include winning the Turner Prize in 1995, one of the most prestigious awards in the art world. His innovative approach to art, characterized by the use of unconventional materials and provocative themes, has earned him international acclaim. Hirst's work often explores themes of life, death, and the human condition, challenging viewers to confront their own mortality.

Notable Works or Actions

Damien Hirst is perhaps best known for his series of artworks featuring animals preserved in formaldehyde, such as "The Physical Impossibility of Death in the Mind of Someone Living" (1991), which features a tiger shark suspended in a glass tank. This piece became an iconic symbol of contemporary art and sparked widespread debate about the nature of art and its boundaries.

Another notable work is "For the Love of God" (2007), a platinum cast of a human skull encrusted with 8,601 diamonds. This piece exemplifies Hirst's fascination with death and the juxtaposition of beauty and decay. His "Spot Paintings" series, consisting of rows of colored dots, showcases his exploration of color and form, further cementing his status as a versatile and innovative artist.

Impact and Legacy

Damien Hirst's impact on the art world is profound and enduring. As a central figure in the YBAs, he helped redefine contemporary art in the UK and beyond. His willingness to push boundaries and challenge conventional norms has inspired a new generation of artists to explore bold and provocative themes.

Hirst's entrepreneurial spirit has also left a lasting legacy. He has successfully navigated the commercial aspects of the art world, establishing himself as one of the wealthiest living artists. His ability to merge art and commerce has influenced how art is perceived and valued in the modern era.

Why They Are Widely Quoted or Remembered

Damien Hirst is widely quoted and remembered for his audacious approach to art and his ability to provoke thought and discussion. His works often elicit strong reactions, ranging from admiration to controversy, making him a frequent subject of discourse in both art circles and popular culture.

Hirst's quotes often reflect his philosophical musings on life, death, and the nature of art. His candid and sometimes provocative statements resonate with audiences, offering insights into his creative process and the motivations behind his work. As a result, Hirst's words, much like his art, continue to captivate and inspire, ensuring his place in the annals of contemporary art history.

Quotes by Damien Hirst

Damien Hirst's insights on:

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I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
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I made one untitled piece.
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Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.
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Most people live in the city and go to the country at the weekend, and that’s posh and aristocratic, but actually to live in the country and come to London when you can’t take it any more is different.
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I was taught to confront things you can’t avoid. Death is one of those things. To live in a society where you’re trying not to look at it is stupid because looking at death throws us back into life with more vigour and energy. The fact that flowers don’t last for ever makes them beautiful.
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Since I was a child, death is definitely something that I think about every day. But I think that everybody does. You try and avoid it, but it’s such a big thing that you can’t.
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Art comes from everywhere. It’s your response to your surroundings.
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Because it’s visual art, a lot of it comes from childhood experience but then a lot comes from the visual language – in advertising and stuff like that – which is around us.
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I was brought up Catholic, and I felt the power of art from a very young age – seeing the brutality of all those images of flayed apostles and tortured saints was a pretty strong introduction.
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I always try to make everyone mellow down, make sure everybody’s happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
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